The role of copyright rules in the regulation of artificial intelligence (AI) continues to dominate legal discussions in 2025. With new case law, legislative initiatives, and regulatory developments unfolding across jurisdictions, the dialogue on how copyright interacts with AI models and systems – particularly around training data, authorship, and lawful use – has only grown…
The rise of generative AI and automated content generation has raised legal and ethical issues, making them a focal point in creative and technological sectors. As stakeholders navigate this new terrain, the EU AI Act appears as a benchmark regulatory framework. This blog briefly examines the transparency provisions and trade secret protection under the Act,…
On 4 March 2025, the London School of Economics (LSE) hosted an event dedicated to exploring the intersection of AI and IP within the creative industries. The discussion has been prompted by the recent developments in this area in the EU, the UK and the US. Four distinguished academics shared their insights on this complex…
In October 2023, several music companies (Concord, ABKCO Music & Records, Universal Music) sued Anthropic AI in the US for alleged harm to their business interests because (a) its AI chatbot, Claude, was trained with unauthorized music lyrics data and (b) Claude’s outputs in response to user queries contained copies of (parts of) these lyrics…
There is a bit of excitement in copyright circles about the first case referred to the CJEU that directly addresses the intersection of artificial intelligence (AI) and the EU copyright framework. The request for a preliminary ruling — Like Company v Google (C-250/25) — originates from the Budapest Capital Regional Court (Budapest Környéki Törvényszék) and…
Introduction Not long ago, artificial intelligence (“AI”) was a concept brought to life by human actors – whether through Scarlett Johansson’s voice in Her (2013) or as Alicia Vikander’s eerie humanoid presence in Ex Machina (2014). Today, the roles have reversed: it is AI that is creating on-screen performances that appear convincingly human. From de-aging…
I. Introduction Not long ago, artificial intelligence (“AI”) was a concept brought to life by human actors – whether through Scarlett Johansson’s voice in Her (2013) or as Alicia Vikander’s eerie humanoid presence in Ex Machina (2014). Today, the roles have reversed: it is AI that is creating on-screen performances that appear convincingly human. From…
The debate on whether works protected by copyright can be used for the training of artificial intelligence (AI) has reached India. While dozens of US District Courts are currently grappling with the question of whether AI training with protected works constitutes fair use, the UK High Court is largely grappling with jurisdictional questions, and EU…
This week, COMMUNIA released a new report detailing unfair practices in the licensing of digital resources to libraries (as a PDF file). This report describes contractual practices identified by licensing managers from public and academic libraries across Europe during a meeting organised by COMMUNIA under the Chatham House Rule. The report also contains clauses from…
Recently, there has been a lot of suggestions that the U.S. Copyright Office is registering “AI-generated works.” Nonetheless, these are not actually AI-generated works, nor are they breakthrough decisions. The U.S. Copyright Office has already registered hundreds of works related to AI-generated material – the key to obtaining registration is to specify AI-generated elements in…
