On May 22 of this year Directive 2001/29/EC was exactly 10 years old – a birthday largely gone unnoticed. The ‘Copyright Directive’ or ‘Information Society Directive’ (for experts: ‘InfoSoc Directive’) marked an important stage in the process of harmonization of copyright and related rights in the European Union. In contrast to earlier directives that dealt…

A new proposal of law on the digital exploitation of (commercially) unavailable books of the 20th Century (proposition de loi relative à l’exploitation numérique des livres indisponibles du XX° siècle) has been introduced quasi-simultaneously in the Senate and in the National Assembly. According to the preamble of the proposal, about 500 000 books published during…

By Prof. Valérie-Laure Benabou, Université de Versailles (St-Quentin). France is currently modifying, in emergency, its legislation on private copying levy and more generally on private copying after the ECJ decisions Padawan and ThuisKopie. The reason for this urgency is twofold: substantial and procedural. The French Council of State (Conseil d’Etat) has held in a decision…

On the 28 of October the European Commission adopted a Recommendation on the digitisation and online accessibility of cultural material and digital preservation. The Recommendation follows up on a similar Recommendation from 2006, updating for new developments such as the launch in 2008 of Europeana and the adoption of the Commission’s proposal for a Directive…

Copyright policy strategies at the EU level have been criticized by many, mainly academics. Critiques include, but are not limited to, the fact that copyright legislation tends to favour more the intermediaries and less the individual creator; or that the interests of users have been lost somewhere along the way. However, a couple of recent…

11 years have passed since the last attempt of WIPO to promote an Audiovisual Performance Treaty which would bring the performer’s protection to meet the challenges of the digital era. The path to the adoption of such a Treaty seems to be prima facie open after the WIPO’s General Assembly Decision of 30th of September…

In the presence of Michel Barnier, European Commissioner for the Internal Market and Services, a Memorandum of Understanding (MoU) was signed yesterday between European libraries, publishers, authors, and their collecting societies. The MoU comprises a set of key principles that will give European libraries and similar cultural institutions the possibility to digitize and make available…

As highlighted in a previous post by one of my fellow Kluwer Copyright bloggers, and others, a proposal by the European Commission for a directive on an extension of the term of protection for fixations of performances and for phonograms to 70 years after the recording (from current 50 years) has recently been brought back…

[By Dr Luke McDonagh} The UK Government’s response to the Hargreaves’ Review includes the approval of a number of THE reports recommendations, the main ones being the acceptance of the need for a new procedure to clear and license orphan works, and the acceptance that some form of Digital Copyright Exchange is required. With regard…

On July 6, 2011 the Italian Communications Authority (AGCOM) approved the “Draft regulation regarding copyright protection on the electronic communications networks”, currently subject to a 60-day public consultation. As mentioned in my previous posts, AGCOM’s proposal of new rules for the protection of copyright in Internet and audiovisual media services was heavily criticized because of…