Copyright policy strategies at the EU level have been criticized by many, mainly academics. Critiques include, but are not limited to, the fact that copyright legislation tends to favour more the intermediaries and less the individual creator; or that the interests of users have been lost somewhere along the way. However, a couple of recent…
11 years have passed since the last attempt of WIPO to promote an Audiovisual Performance Treaty which would bring the performer’s protection to meet the challenges of the digital era. The path to the adoption of such a Treaty seems to be prima facie open after the WIPO’s General Assembly Decision of 30th of September…
In the presence of Michel Barnier, European Commissioner for the Internal Market and Services, a Memorandum of Understanding (MoU) was signed yesterday between European libraries, publishers, authors, and their collecting societies. The MoU comprises a set of key principles that will give European libraries and similar cultural institutions the possibility to digitize and make available…
As highlighted in a previous post by one of my fellow Kluwer Copyright bloggers, and others, a proposal by the European Commission for a directive on an extension of the term of protection for fixations of performances and for phonograms to 70 years after the recording (from current 50 years) has recently been brought back…
[By Dr Luke McDonagh} The UK Government’s response to the Hargreaves’ Review includes the approval of a number of THE reports recommendations, the main ones being the acceptance of the need for a new procedure to clear and license orphan works, and the acceptance that some form of Digital Copyright Exchange is required. With regard…
On July 6, 2011 the Italian Communications Authority (AGCOM) approved the “Draft regulation regarding copyright protection on the electronic communications networks”, currently subject to a 60-day public consultation. As mentioned in my previous posts, AGCOM’s proposal of new rules for the protection of copyright in Internet and audiovisual media services was heavily criticized because of…
On 19 November 1992, the European Council adopted the Directive 92/100/EEC on rental right and lending right and on certain rights related to copyright in the field of intellectual property (now replaced by Directive 2006/115/EC), which provides an exclusive right to authorize or prohibit the rental and lending of originals and copies of copyrighted works….
A Committe set up by the Danish Government has recently proposed concrete initiatives to strengthen the enforcement of copyright on the Internet. The Committee identified four primary focus areas: enforcement of copyright on the Internet, legal business models, increased consumer awareness and sending information letters. In addition, the Committe rejects so-called compensation models according to…
In a somewhat surprising move, on 12 July 2011 the lower house of the Spanish Parliament urged the Government to abolish the so-called “canon digital” (the private copying levy on digital media) and replace it by a “less arbitrary and indiscriminate system” that provide rightsholders with a “fair and equitable remuneration based on the effective…
For years, consumer representatives, citizen rights groups and academics have lobbied for a better balance between the interests of rights holders and consumers in copyright law. In particular the use of technical and contractual restrictions on the ability of consumers to play, copy, share or transfer digital content to their liking has been a notorious…
