On 4 March 2025, the London School of Economics (LSE) hosted an event dedicated to exploring the intersection of AI and IP within the creative industries. The discussion has been prompted by the recent developments in this area in the EU, the UK and the US. Four distinguished academics shared their insights on this complex…
On 9 April 2025, the Supreme Constitutional Court of Cyprus handed down an Opinion concerning the constitutionality of two amendments to Section 26 of Law 65(I)/2017 on collective rights management and the granting of multi-territorial licenses for online use of musical works (Reference No. 5/2024). The amendments had been enacted by the House of Representatives…
On 8 May, coinciding with the 80th anniversary of the end of WWII, Advocate General Szpunar delivered his long-awaited opinion in joined cases Mio/konektra (C-580/23 and C-795/23). The two cases were referred by the Svea Court of Appeal, Patent and Commercial Court of Appeal in Stockholm and the German Federal Court of Justice in cases…
In October 2023, several music companies (Concord, ABKCO Music & Records, Universal Music) sued Anthropic AI in the US for alleged harm to their business interests because (a) its AI chatbot, Claude, was trained with unauthorized music lyrics data and (b) Claude’s outputs in response to user queries contained copies of (parts of) these lyrics…
There is a bit of excitement in copyright circles about the first case referred to the CJEU that directly addresses the intersection of artificial intelligence (AI) and the EU copyright framework. The request for a preliminary ruling — Like Company v Google (C-250/25) — originates from the Budapest Capital Regional Court (Budapest Környéki Törvényszék) and…
The ongoing public discourse on Sustainability – meant here not in its plain-language meaning but rather in its evolving definition in law- and policy-making (see e.g. Verschuuen) – pivots, to a significant extent, on the need to promote better models of consumption and production. This need to optimize the exploitation of natural resources and reduce…
Introduction Not long ago, artificial intelligence (“AI”) was a concept brought to life by human actors – whether through Scarlett Johansson’s voice in Her (2013) or as Alicia Vikander’s eerie humanoid presence in Ex Machina (2014). Today, the roles have reversed: it is AI that is creating on-screen performances that appear convincingly human. From de-aging…
I. Introduction Not long ago, artificial intelligence (“AI”) was a concept brought to life by human actors – whether through Scarlett Johansson’s voice in Her (2013) or as Alicia Vikander’s eerie humanoid presence in Ex Machina (2014). Today, the roles have reversed: it is AI that is creating on-screen performances that appear convincingly human. From…
The debate on whether works protected by copyright can be used for the training of artificial intelligence (AI) has reached India. While dozens of US District Courts are currently grappling with the question of whether AI training with protected works constitutes fair use, the UK High Court is largely grappling with jurisdictional questions, and EU…
This week, COMMUNIA released a new report detailing unfair practices in the licensing of digital resources to libraries (as a PDF file). This report describes contractual practices identified by licensing managers from public and academic libraries across Europe during a meeting organised by COMMUNIA under the Chatham House Rule. The report also contains clauses from…
