Tackling the blurred lines between counterfeiting and ingenuity in the art world is certainly not an easy endeavor. Indeed, in a world where “nothing is lost, nothing is created, everything is transformed“, it is a rather daunting exercise for any court to draw the line between inspiration and imitation in copyrighted works, let alone in…
On 21 September 2022, Egypt officially launched its first-ever National Intellectual Property Strategy (NIPS) in a ceremony held in the New Administrative Capital and in the presence of Daren Tang, the World Intellectual Property Organisation (WIPO) Director-General (See here, here and here). The Strategy reflects Egypt’s renewed interest in the field of IP, which can…
The growing proclivity of issuing “dynamic injunctions” to block the online illegal diffusion and distribution of audio-visual copyrighted content has recently caught the attention of several scholars (see here, here and here). In fact, the preventive nature of the rights involved, the need to preclude imminent damage, and the fact that most IP addresses targeted…
The so-called “conditional irresponsibility” of online content-sharing service providers (OCSSPs) with regards to copyright infringements is a never-ending, vexing, and daunting topic not only for scholars (see here, here, here and here), but also for the European Court of Justice itself (CJEU). The latter has recently rendered its eagerly awaited decision on the joined cases…
