Collective management is the exercise of copyright and related rights by organisations known as collective management organisations (CMOs) or collecting societies, which act in the interest and on behalf of the owners of rights and ensure that creators receive payment for the use of their works.
On 9 April 2025, the Supreme Constitutional Court of Cyprus handed down an Opinion concerning the constitutionality of two amendments to Section 26 of Law 65(I)/2017 on collective rights management and the granting of multi-territorial licenses for online use of musical works (Reference No. 5/2024). The amendments had been enacted by the House of Representatives…
I. Introduction Not long ago, artificial intelligence (“AI”) was a concept brought to life by human actors – whether through Scarlett Johansson’s voice in Her (2013) or as Alicia Vikander’s eerie humanoid presence in Ex Machina (2014). Today, the roles have reversed: it is AI that is creating on-screen performances that appear convincingly human. From…
This blogpost is part of a series marking the publication of the fourth edition of the book Collective Management of Copyright and Related Rights, edited by Daniel Gervais and João Pedro Quintais. The blogpost provides a short presentation of the authors’ chapter with the same title. Given rapid and far-reaching changes due to digitalization,…
This blogpost is part of a series marking the publication of the fourth edition of the book Collective Management of Copyright and Related Rights, edited by Daniel Gervais and João Pedro Quintais. The blogpost provides a short presentation of the authors’ chapter (with Franciska Schönherr): “Limitation-based remuneration rights as a compromise between access and remuneration…
This blogpost is part of a series marking the publication of the fourth edition of the book Collective Management of Copyright and Related Rights, edited by Daniel Gervais and João Pedro Quintais. A new book, “Collective Management of Copyright and Related Rights,” edited by the two coauthors of this post and just published by Kluwer…
Once the dust has settled after a difficult lawmaking process, commentators may succumb to the temptation of simply accepting and rubberstamping whatever result has been achieved. After all, much time and effort has been spent on developing the newly adopted rules. The legislator has spoken. It makes perfect sense to explore the full potential of…
Slightly overdue, but here comes the first roundup of 2025. The EU courts have issued just one judgment in this trimester, but to make up for it, there have been several interesting policy initiatives. As a reminder, in this post we update you on developments in EU copyright law between January and March 2025 —…
This post was first published on the Europeana Pro website. The out of commerce works ‘legal solution’ simplifies rights clearance, helping cultural heritage institutions to make materials from their collections that are not in commercial circulation available online. In some circumstances, it requires concluding a licence with a collective management organisation – Europeana Copyright…
On 26 September 2024, the Belgian Constitutional Court referred a highly topical issue of fair remuneration of authors and performers on online streaming platforms to the Court of Justice of the EU (CJEU). The reference, which is poised to result in one of the most significant CJEU judgments in the copyright law field, concerns the…
On 21 March 2024, the Court of Justice of the European Union (CJEU) issued its ruling in case C-10/22 Liberi Autori ed Editori (LEA) v. Jamendo SA. The decision confirms that Independent Management Entities (“IMEs”) can provide their copyright management services in the European Union (EU) alongside Collective Management Organizations (“CMOs”). National legislation in one…
