The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be protected by copyright. It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not.
The Court of Turin held that the main idea for a finished work (a TV commercial for the FIAT 500) had been developed in an initial project carried out by the claimant and that this project was the basis for the subsequent authors’ work. Consequently, the commercial was evidentially a development of his original idea. His work was therefore…
This ruling, rendered by the IP specialist section of the High Court of First Instance of Paris, breaches the most basic EU and French copyright law, by refusing copyright protection to an obviously original photographic work. This very surprising ruling is unfortunately just another ruling contrary to the elementary rules of copyright law that has…
A claim for infringement of copyright and design rights failed. There was no good reason to reject evidence that the fabric in question was created without sight of the claimant’s fabric; the similarities between the designs were not sufficient to infer that there had been subconscious copying. A full summary of this case has been published on Kluwer IP…
A brief outline of the copyright protection granted for architectural designs In Article 2/1, the Berne Convention counts architectural works, together with plans, sketches and three-dimensional works relative to architecture, as copyrightable subject matter. Turkish law treats architectural creations in two different categories: as “literary works” and “works of fine art”. Accordingly, under Law No…
The Italian Supreme Court confirmed that software which derives from a pre-existing computer program is eligible for copyright protection provided it demonstrates a minimal level of originality, even if it reproduces the main structure of the pre-existing program. A full summary of this case has been published on Kluwer IP Law
The Supreme Court maintains its position in a case concerning a Lancôme perfume, stating that ‘copyright only protects creations in their tangible form, so far as this form is identifiable with sufficient precision to permit its communication; whereas the fragrance of a perfume … is not a form that has this characteristic, and therefore cannot…
“The law does not allow for additional protection of the maker of a work against so-called slavish imitation of a style or of elements of style.” Supreme Court of the Netherlands, 29 March 2013 (Duijsens/Broeren). Although the legal concept of coat-tail riding is usually associated with trademark law, it is certainly not unfamiliar to copyright law….
Besides tulips, cheese, football and other recreational matters, the Netherlands are famous for its copyright protection of non-original writings. Geschriftenbescherming, as the Dutch call this legal anomaly (and only they know how to pronounce it), is a remnant of an ancient eighteenth-century printer’s right that lives on until this day in the Dutch Copyright Act…
The usefulness of a computer program is not sufficient to characterise the originality of the program. There is nothing more subjective, and often arbitrary and unfair, than the notion on which copyright protection is based: originality. Under French law, the Intellectual Property Code protects “the rights of authors in all works of the mind, whatever…
“What seems to lack in the decision of the Court, at the end of the day, is a clear test of what constitutes a structural element in the ’embryonic stage’. Last 19 October 2012, the Italian Supreme Court published a decision on a case of plagiarism related to a literary work which told the true…
