Artificial Intelligence (AI), Italy, Originality

(University of Milan)/ /1 Comment

Introduction One of the main contentious points when artificial intelligence, deep learning or machine learning (for the distinction between these functionalities, see here) are used for generating creative works is the question of attribution of works to an author, usually a human who has used the tech tool with some level of involvement in the…

Case Law, Infringement, Originality, United Kingdom

, (Bristows LLP)/ /1 Comment

Perhaps it comes as no surprise that a copyright dispute regarding a fire-breathing–sneezing dragon would get so heated. The case of Evans v John Lewis Plc & Anor [2023] EWHC 766 (IPEC) is a copyright infringement claim in which the IPEC (a specialist IP court in the UK) was asked to decide whether John Lewis’s…

Artificial Intelligence (AI), Contract, European Union, Exceptions and Limitations, Text and Data Mining (TDM)

(Brazilian Copyright Institute (IBDAutoral)) and (KU Leuven Centre for IT & IP Law)/ /Leave a comment

Introduction The current international legal framework for text and data mining (TDM) is highly disharmonized, showing a variety of approaches that span from completely unregulated to partially and fully regulated. Furthermore, regulation is not uniform, and it addresses relevant stakeholders (creative and content industries, tech firms, users, research, and the public sector) in various ways….

Artificial Intelligence (AI), European Union, Fair Use, United Kingdom, USA

(University of Milan)/ /2 Comments

Introduction: Generative AI regulatory framework There is a huge debate around Generative AI and the need to regulate such disrupting technology (see here and here). Very different approach has been adopted in the European Union, which is going to introduce by the end of 2023 a EU AI Act (here), in the UK, which is…

Brazil, Fair Use, USA

(Di Blasi, Parente & Associados)/ /Leave a comment

US Supreme Court’s Andy Warhol Foundation for the Visual Arts, Inc.. v. Goldsmith et al sheds light on different perspectives of copyright law in common law and civil law countries. This brief post dives into this duality, as exampled by American and Brazilian law. Lynn Goldsmith, an esteemed American photographer, captured a significant moment in…

Conference

(Potter Clarkson LLP and King's College London)/ /Leave a comment

June this year saw Montreux hosting an international congress, bringing together 50 experts from various disciplines, discussing the future of culture in the digital age. The congress was also streamed online and the recorded videos of the three plenary sessions are available to view here. According to the University of Geneva’s website, one objective of…

CDSM Directive, European Union

(NOVA School of Law and Knowledge Rights 21)/ /Leave a comment

In a period when the COVID-19 pandemic is occupying less and less space in the daily news and in our thoughts, with the World Health Organization (WHO) having stated that it “no longer constitutes a public health emergency of international concern”, things may seem to be returning to the normal. This is, of course, a…

Case Law, France, Infringement, Originality

(REALEX)/ /Leave a comment

In a case between Google and the creator of the font used by the French newspaper Le Monde, the Paris Court of First Instance (‘Tribunal Judiciaire’) has handed down a judgment in which it ruled that the font created for the newspaper is original and thus protected by copyright, even though it found that Google’s…

Exceptions and Limitations, International Agreement

(University of Geneva)/ /Leave a comment

Context Copyright can be challenging for cultural institutions (or “GLAM“ for Galleries, Libraries, Archives and Museums) when pursuing digitization and dissemination activities, as copyright governs whether a given work can be used and if so, how (as shown in recent studies for museums, archives or libraries). These challenges lead to a need to support legislative…